PRERECORDED MUSICAL SOUND RECORDINGS

Brand Owner (click to sort) Address Description
AMBIENT RECORDS Ambient Records 510 Scofieldtown Road Stamford CT 06903 PRERECORDED MUSICAL SOUND RECORDINGS;RECORDS;
BETA MONKEY Beta Monkey 45 Old Country Road Oxford CT 06478 Prerecorded musical sound recordings, namely, drum loops; Musical sound recordings; Prerecorded musical sound recordings, namely, drum recordings; Pre-recorded compact disks featuring musical sound recordings; Prerecorded minidisks featuring musical sound recordings; Prerecorded musical sound recordings, namely, prerecorded audio loops; Prerecorded electronic media, namely, DVDs, compact discs, audiotapes featuring musical sound recordings; MP3s featuring prerecorded musical sound recordings, namely, recorded music and recorded drum loops; Downloadable musical sound recordings; Downloadable prerecorded musical sound recordings, namely, drum recordings;
D. RUGGS Thompson II, Daniel 370 S.W. 14th Place Deerfield Beach FL 33441 Prerecorded musical sound recordings;The name D. RUGGS identifies a living individual whose consent is of record.;
PLAY FROM COLUMBIA HOUSE Columbia House Company, The 1221 Avenue of the Americas New York NY 10020 Prerecorded musical sound recordings; audio recordings featuring books and music; and video recordings featuring music, drama, comedy and other forms of entertainment;
RHYTHM HERITAGE Barri, Steve 4545 Dempsey Avenue Encino CA 91436 PRERECORDED MUSICAL SOUND RECORDINGS;RHYTHM;
SPLIT FYRE Spencer, Kevin R. 6858 Florence Ave SW Navarre OH 44662 Prerecorded musical sound recordings;SPLIT FIRE;
THE SILENTS Jacob Albert Fish 2051 Walters Ave. Northbrook IL 60062 Prerecorded musical sound recordings;
THE SILENTS Paul Anthony Velten 1545 Chapel Ct. Northbrook IL 60062 Prerecorded musical sound recordings;
 

Where the owner name is not linked, that owner no longer owns the brand

    
Technical Examples
  1. A method and system is described to improve the reproduction of sound of an acoustic musical instrument. According to one embodiment, a first microphone is placed at a proximate location to the musical instrument to pick up the sound of the musical instrument. The sound as picked up by the first microphone is compared to a reference sound of the instrument (e.g., the sound of the instrument as perceived at a normal listening position). Based on this comparison, a tailor-made equalizer is designed to compensate for the differences between the sounds as picked up by the first microphone and the reference sounds of the musical instrument. Accordingly, using the tailor-made equalizer allows the reproduction of sound from the first microphone to have a quality similar to that of the reference sound of the musical instrument. In an implementation of the above system, a filter arrangement is provided having a low-pass and a high-pass filter that allows separate control of the frequency and/or gain for each filter.